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NONESUCH
EXPEDITIONS FOUNDED
IN 1962
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MARGARET MEE'S AMAZON |
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A
THEME CREATED BY TONY MORRISON
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THE
LAST AMAZON JOURNEY - MAY 1988
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THE
MOONFLOWER - A QUEST IN THE FLOODED FOREST
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The cactus is now generally known as Selenicereus wittii. The plant has striking crimson flattened stems that cling to trunks of trees in the flooded forest and has a limited range possibly extending to some Amazon regions of Peru and Colombia Margaret had seen the cactus on two of her early Amazon journeys but only as the reddened, flattened stems. Then on another trip in 1982 accompanied by Sue Loram a young British woman who at that time lived in Manaus she found some buds and what seemed to be an opening flower. "We tried to keep them but they were so wilted they never revived". To these clues Margaret added places and dates saying at the same time that nobody she had spoken with had known much about the flower. Margaret agreed that Tony should edit her diaries and set-up a filming project to take her to the Amazon in a search of the flowering. "It will have to be next year" she said "because I need time to recover from my hip operation". She had just received a second replacement hip during a long visit to England . The delay also allowed for her to divide her notes into 'chapters' and for Tony to discover more about the cactus flowering period. Over the following six months he approached experts in Brasil and around the world. Margaret knew Bruce Nelson at INPA* the Amazon research institute in Manaus and he provided details of five specimens in the official collection. Reports and advice were culled from other scientists in Britain, Mexico, Sweden, and Germany. Sue Loram had kept a good account of the flowers she saw in 1982. Her observations were an essential link as it soon became clear that many botanical details of the flower, its life and rough area of distribution were known but the 'window' for the flowering was not so certain. One eminent correspondent said he thought "'it would be very difficult to find it flowering in nature". The focus of most reports seemed to settle on the Rio Negro where Manaus lies on the northern bank near the confluence with the main Amazon river, the Solimões. In 1988 Manaus had a population of almost a million and was a major port. The Rio Negro is the major tributary entering from the north and is immense. It is 2080kms long and at Manaus is more than 4kms wide. The annual rise and fall can be as much as 12 meters and the harbour has a famous floating dock built by British engineers in the first decade of the 20th century. The Negro gets its name from the clear dark water that is totally different to the sediment laden brown of the Solimões coming from the west. Without nutrients the forest, especially those on sandy soil are not so rich. Some parts are well known for their unique plant diversity and one, the Archipelago of the Anavilhanas the world's largest freshwater archipelago, is only 8 kms upriver from Manaus. |
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A CHALLENGING GOAL March 1987, Rio de Janeiro, Brasil... Tony Morrison was reading Margaret's diaries with a book and television documentary in mind. He had been following her career for 17 years and had been invited to her house the old suburb of Santa Teresa high above Botafogo Bay. Margaret had been in Rio de Janeiro since August 1968 and over the years had filled a pile of notebooks with records of her Amazon adventures. Each tale she had was wonderfully descriptive but to become a book or television film the notes needed an ending . Tony asked Margaret to think of her greatest ambition and without hesitation she replied that she wanted to paint the flowering of a rare Strophocactus. The cactus was given its name Strophocactus wittii after a German collector, N.H Witt who late in the 19th century was a trader in Manaus, a city almost 1600kms up the Amazon river. The genus has since been renamed Selenicereus after Selene the ancient Greek personification of the moon as a goddess. |
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For half the year the river inundates much of the land but when the water level drops as many as 400 islands dot the river. Margaret and Sue Loram had been in the Archipelago of the Anavilhanas in April 1982 when they found buds so that seemed to be the place to start. Also from the point of view of logistics it could not be better as Margaret knew a young Brasilian, Gilberto Castro who had a small rustic house on the river bank. Gilberto also owned a boat that his caretaker or caseiro Paulo used to collect him from Manaus. Margaret Mee's Amazon Margaret was 78 and with two replacement hips a short, well timed trip was not only desirable but essential. The basic plan had to be simple. Locate the flower. Check the development of the buds and then take Margaret to the spot for a couple of days. She was very fit and after fourteen journeys to Amazonia certainly accustomed to the day to day health hazards. When Tony returned to London he took the idea to the BBC where old colleagues knew of his earlier documentary films. The idea of a midnight flowering coupled with Margaret's long career as an artist produced an immediate and positive response. The fact that the Amazon forests were either burning, being cut down or often both at the same time simply added spice to the story. The project was given the working title of Margaret Mee's Amazon and a promotional folder of sketches , photos and a written outline was created. While the idea began to take shape as a televison production Tony was working on the book for Nonesuch Expeditions and plans for the journey. |
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Suddenly the plan is changed Early in December 1987 Tony's phone rang at 8.30 am with a personal call from the BBC executive producer saying that the project had been given second thoughts. These were influenced it seems by Margaret's age and the great imponderable - "what was the chance of finding the flower?" Undeterred Tony talked with a friend in the National Geographic Society, Washington and Steve Burns a producer was sent to Rio de Janeiro to meet Margaret and shoot a test. This attempt also met a dead-end just when time was closing for the small team to confirm arrangements especially for the cameraman / director Brian Sewell who was busy with a different international television company every day. So few choices were available and Tony decided to fund a 'pilot project' from a television production account he held with his wife Marion and support from Nonesuch Expeditions. Early in 1988 Tony met with Gilberto Castro in Rio de Janeiro for some quick thinking as there had to be no mistake. No lost chances would ever be forgiven. They concluded that the 'window' had to be sometime after late April and Gilberto arranged that Paulo would make regular trips into the flooded forest and report back to Rio de Janeiro via telephone as soon as the buds began to develop. The difficult bit would be judging how long the development would take. Experts had pointed out that the buds formed on the edges of the stem and grew to form a narrow tube about 12cms long. The flower developed at the end of the tube and opened when triggered by dusk. Several buds on a single plant could react in different ways and while cultivated hothouse plants were known, there was no telling what would happen in the forest of the Rio Negro George Clarke MBE [Member of the British Empire] the British Consul in Manaus and a long time friend of Tony's was alerted particularly in the event that medical help was needed for Margaret and the team was put on standby. |
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Behind the scenes others helped with communications including George Clarke in Manaus and David Lorimer who was born in Manaus and lived in Santos on the Brasilian coast - another long time friend of Tony and Marion. Marion Morrison in Britain knew all the locations from past travels and controlled the plan from her desk. The New Plan "We will fly everyone from Rio de Janeiro to Manaus a city of almost a million. That's four hours in the air. Then they stay overnight or perhaps two in a simple hotel. Then using Gilberto's boat they will travel up the Negro to the house. That's about a nine hour journey and we can make Margaret comfortable in a hammock. The accommodation at the house is simple. Hammocks, mosquito nets, a bottled gas cooker, a toilet and there is even a shower heated by solar energy. But they will be out of touch. There's no 'phone or two-way radio. A couple of smaller and faster boats will be needed for searching the igapos".. All the expenses together with some special fees for the team apart from Sally Westminster's air fares were covered by the project budget. Now all that was needed was to confirm the important date. Flights were booked and second and some third fall back reservations were made. Early in the year Paulo made a list of trees where he had seen plants and towards the end of April he went to investigate. In mid April he reported to Gilberto that the buds were almost fully developed. As it had taken him a day to search and another day to get to a 'phone in Manaus it seemed that the Plan was 'on'. Gilberto
took a flight to Manaus to prepare the boat and stores. Sally Westminster
arrived in Rio de Janeiro on an overnight flight direct from London and
was met at Galeão the international airport by Sue and Margaret.
They had time for a quick cafezinho - small sweet coffee before
getting the first flight of the day to Manaus. They were met at the airport
by Gilberto and George Clarke. Tony and Brian who had been filming in
Rio followed on yet another flight with all the camera gear. In Manaus
the team stayed in the Hotel Imperial not far from the extraordinary Teatro
Amazonas a relic of the 19th century 'rubber boom'. Departure at last Gilberto and Paulo had prepared the boat the day before and all that was remained to be done was some last minute buying in the market. Sue had a secret recipe she intended to try as a celebration 'if the search is successful' she promised
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Margaret Mee and Sue Loram look back to Manaus as the boat heads upriver |
The
team leaves the hotel. Gilberto Castro is by the door of the VW microvan
and Sue Loram is on the right |
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The
nine hour river journey to the house was passed reading, sleeping and talking |
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